By Lynne Rogers Harris
Anole’s Lunch by Lynne Rogers Harris (Olympus M1 Mark III, ISO 200, SS 1/200, f2.8)
This was the first year back for the Butterflies in the Garden exhibit at the Fort Worth Botanic Garden. As most of us know, the conservatory was in need of repair so we have missed this event the last few years. It was a cloudy day and I was expecting the conservatory to be dark inside and the butterflies hiding. I was pleasantly surprised to see just how much light was coming through the windows.
After arriving, we were told new butterflies had just been released into the conservatory. They were everywhere. After shooting a while and talking with other photographers, I was about ready to leave when someone pointed out this anole lizard. He was a little camouflaged, but I finally saw him and he had a butterfly in his mouth. Of course, I couldn’t resist taking a photo. I took a few shots, and he soon crawled away with the butterfly still in his mouth. Later, I learned that the lizards eat the butterfly bodies but
not the wings.
Please join your fellow photographers when they post outings on Facebook. It’s always fun to shoot and learn with others; and you never know when you’ll get that one shot that makes the trip all worthwhile.
By David Roberts
Barred Owl In Flight by David Roberts (324mm, f 5.6, 1/2000, auto ISO 2500)
One of the primary activities practiced at the Colleyville Nature Center (CNC) is photography, and the primary subject being photographed is wildlife, particularly birds. By far the most popular birds at CNC are the Barred Owls, with the spring mating season and subsequent arrival of the baby owls (owlets) being the peak time of activity for the year.
I was fortunate on a recent visit to find the ‘West Side’ female owl sunning herself in the
opening of the iconic ‘Owl Tree.’ After posing for some static shots in great light with awesome catchlights in her eyes, she decided to stretch her wings and take flight. I had witnessed this exact scenario many times before, as this is my third owl season at CNC. I knew there was a good chance she would fly instead of returning to inside the tree, so I was prepared with the proper camera settings. As with many things, timing is everything. Even though you know its coming, its amazing how easy it is to be distracted by conversation with a fellow photographer or simply removing the camera from your eye to scratch your nose. There is certainly an element of luck involved here, and luck was on my side.
This image was captured on March 5, 2020, at 10:10 a.m. with a Canon EOS 7D Mark II, Sigma 150-600mm f5-6.3 contemporary lens.
By Bill Webb
Exploded Deli Club by Bill Webb (f 4.5, 1/10, ISO 400)
For our recent ‘Food’ topic, I chose to try one of those exploded shots we see sometimes. Folks have since asked if it was a bunch of Photoshop layers. The answer is ‘no.’
Here’s how I did it.
Photo 1 – Exploding sandwich photograph setup
Photo 1 shows my lights and supports set-up in the kitchen. I set up two stands and ran solid wire between them to make the ‘shelves’ onto which I would place the sandwich makings. I had an LED panel as main light positioned at camera left and a small LED fill (about 15 percent power) on top of the camera.
Photo 2 – Exploding sandwich layers attached to wires
When that was all set up, I disassembled my Jason’s sandwich and carefully positioned the pieces on the layers of wire as you see in Photo 2. I checked exposure and lighting to get the background dark and the sandwich well-lit. I took the shot.
Photo 3 – Exploded Deli Club final image
Then in Photoshop, I used spot healing and cloning to remove the wires. Voilà – an exploded sandwich (Photo 3).
The last step was to reassemble the sandwich and have lunch!
By Michael Burleson
Calm by Michael Burleson (f 5.6, 1/800, ISO 800)
This shot was taken on an overcast afternoon when my wife and I took a break from her schoolwork to see her horse. Horses are known for their theraputic qualities and are often used to promote mental health.
While she was visiting, I decided to walk around the barn to take a few shots of the horses.
This was a very subtle and still moment between her and her horse that displayed a calmness I was thankful to capture.
The sky that day really painted the canvas for the shot, and I didn’t really find it necessary to edit it much. I chose black-and-white because it really brought the moment to life.
By Lynne Rogers Harris
Smoke Dancer by Lynne Rogers Harris (f/8, 1/125, ISO 100)
I had been wanting to try my hand at shooting smoke as I had seen some really cool images. So, I bought some incense sticks, set up my black backdrop, used two flashes pointed at the smoke from the sides, and started shooting.
I learned quickly that too much of the flash was hitting the background but my setup just didn’t allow me any other options.
At any rate, I pulled the image into Photoshop and played a little and still wasn’t very happy with the result. I then “inverted” the colors and voila. Suddenly, to my eyes,
I saw a sketch of a dancer and fell in love with it. I hope you can see the dancer, too.
By Terry Barnes
Time to Reflect by Terry Barnes (1/320, f/10, ISO 100)
This spring I learned the PhotoPills app can calculate the dates and times when the sun will be exactly centered down the east-west streets in New York City. I wondered if it could be done in Oklahoma City, specifically at the National Memorial.
The Memorial is located at the site of the former Murrah Federal Building. There is a block-long reflecting pool with “portals” on each end about 10-feet wide by 25- to 30-feet tall. I wanted to center myself on the east end of the pool and have the setting sun centered through the west portal with a reflection on the water.
PhotoPills gave me two possible evenings in September, so I entered the dates into my calendar and waited four months. On September 16, the clouds obstructed the sun, so I
only got a few planning shots.
I returned the next evening to a perfect sky. I set my camera to take a shot every 15 seconds, starting about 10 minutes prior to the “PhotoPills time” and continuing until the sun had crossed the portal. This picture was time stamped within a minute of the time the PhotoPills app had provided. What a smart app!
By Bill Webb
St. Olaf Stars by Bill Webb
This star trails image is a composite of 125 images taken using an intervalometer to trigger the camera every 16 seconds. The individual image exposures were 15 seconds long at f/2.8, ISO 1600, using a 14mm ultra-wide-angle lens. I positioned my camera to place the polar (North) star above the steeple.
Capturing the photos took about 30 minutes. In Photoshop I stacked the images to create the trails.
The light on the cemetery markers is caused by another photographer who turned on his car lights (a REAL no-no) while I was doing this. I have another version of this image that eliminated the lights (they were on for just two frames), but I kinda liked this one.
The location is St. Olaf Kirke (The Old Rock Church) in Cranfills Gap, Texas. Gates into the property are locked so you can’t just drive in.