My wife and I were in Vail, Colorado, in August 2020 escaping the Texas heat for a couple of weeks. We were walking along the main street of Vail village among a blaze of colorful flowers. All of a sudden, my wife spotted a beautiful hummingbird near one of the flowers.
I had my Canon 6D set on aperture priority for taking street scenes. I immediately switched it to shutter priority and set the speed to 1/800th. I wanted to freeze the body of the bird but still have some blur on the wings to show motion. I was already in burst mode and Auto ISO. I zoomed in to 105mm, and I was able to shoot 30 images in about four seconds. The bird then flew away after 30 seconds!
The Best of Spring by Lynne Rogers Harris (ISO 200, f5.6, 1/2000)
Recently, I met a fellow photographer at River Legacy Park in Arlington, Texas, to try a new technique.
Another Trinity Arts Photography Club (TAPC) member had shared a video on how to shoot and process high-key images. This isn’t exactly high key, but the method used was about the same. I took a white board and placed it behind the flowers and shot a little over-exposed. This made it much easier to turn the background a nice white when editing in Photoshop.
I found that if I shot with the sun directly on the flowers, I had to do some maneuvering to get rid of the dark shadows. I actually shot several flowers that I thought turned out pretty good. I processed this with the white background, did a little cloning to take out
‘ junk,’ and voila — I had my image.
This photo is actually a composite of two shots. I thought these type of images with flowers made nice little cards, so I’ve printed several of them.
After the sprinkler went off one morning, I noticed beautiful water droplets on my neighbor’s Gerber daisies. I wanted an unusual perspective, so I got down even with one of the flowers so I could capture the droplets sitting on top of the petals. Surprise…there was a flower behind the one I was photographing, and it was being reflected in the droplets!
I used a Sigma 105mm macro lens on a Canon 70D. Macro lenses have a shallow depth of field, so I took nine images focusing on nine different droplets, then combined the images in Photoshop.
To shoot these images I used a tripod, a cable release, and manual focus on the lens.